Trois Croquis was initially composed in 1990 for violin and piano, as a compulsory work for the Charles De Bériot Competition. It has since become one of Michel Lysight’s most frequently performed pieces, prompting the composer to produce numerous arrangements. Initially, the violin part was transcribed for a wide variety of other instruments. Later, the piano accompaniment was orchestrated for string orchestra, followed by versions for string quartet, quintet, and ultimately, for clarinet ensemble—a formation widely favoured in contemporary performance practice. Given the expressive potential and versatility of clarinet ensembles, this final adaptation emerged as a natural extension of the work’s growing reach.
Across all its versions, Trois Croquis retains the essential hallmarks of Lysight’s musical language: melodic clarity, expressiveness, rich harmonic colour, and subtle yet effective orchestration. These qualities have contributed significantly to the piece’s popularity among performers and audiences alike. Several recordings now exist, attesting to the enduring appeal of this elegant and evocative triptych.
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