Do you want to submit a manuscript? Please consider this specific form:
More information and ressources about postmodernism and new consonant music?
Founded in 1989, Alain Van Kerckhoven Éditeur SRL has established itself as a leading force in the publication, distribution, and promotion of New Consonant Music within the classical tradition.
The term New Consonant Music was coined in 1989 by Piotr Lachert, Boudewijn Buckinx, Dominique Lawalrée, and Alain Van Kerckhoven to define the shared aesthetic of the album Poetic Piano of the 80ies. This quest for a distinct musical identity not only shaped the core vision of our publishing house but also laid the foundation for a global movement. Over time, New Consonant Music has grown into a defining current within contemporary classical music, embraced by hundreds of composers worldwide.
From the earliest days, this movement found its first devoted ambassador in Belgian pianist Mireille Gleizes, who dedicated her artistry to promoting New Consonant Music. She was soon joined by the Brazilian pianist Antonio Eduardo and other passionate musicians, whose unwavering commitment and belief in this musical vision were instrumental in the growth and sustainability of our publishing house. Without their advocacy, dedication, and talent, our catalogue would not have flourished, nor would our house have endured for decades as a beacon for this unique artistic expression.
Based in Brussels—a city at the crossroads of European culture—we curate an extensive, international catalogue that speaks to audiences worldwide. Representing 17 nationalities and over 75 composers, our repertoire resonates across borders, reflecting a rich diversity of cultures and artistic visions.
From the outset, artistic integrity has been our guiding principle. We have consistently prioritized the creative and expressive quality of the works we publish, refusing to compromise for mere commercial gain. This unwavering commitment has shaped a catalogue that embodies innovation, authenticity, and musical excellence.
Our editorial philosophy is rooted in selectivity and intentionality. By maintaining a deliberately modest scale, we ensure accessibility for both composers and audiences. In an era of rapid industry transformation and consolidation, we believe that preserving a distinct identity requires a focused, carefully curated repertoire. This approach enables us to remain responsive, attentive, and dedicated to each artist we represent.
Pioneering spirit defines our history. We were the first classical music publisher to launch a website featuring audio excerpts of our repertoire—an innovation that redefined how audiences discover new music. As early adopters of technologies such as computer engraving, digital printing, and e-commerce, we have consistently embraced progress, guided by the belief that music is a living art form. Its true power lies in forging an immediate connection between composer, performer, and audience.
Our dedication to promoting our catalogue is reflected in close collaborations with internationally renowned performers, record labels, conservatories, festivals, and competitions. Notable partnerships include the Queen Elisabeth International Music Competition of Belgium, the Musica Nuova Festival, the International Adolphe Sax Competition, the Juilliard School, and Naxos. We are also privileged to work alongside distinguished artists such as Mikhaïl Bezverkhny, Frank Braley, Simon Diricq, Alexandre Debrus, Jean-Marc Fessard, Mireille Gleizes, Marc Grauwels, Marie Hallynck, Aleksander Khramouchin, Michael Kugel, Alekseï Lioubimov, Orchestre royal de Chambre de Wallonie, Francis Orval, Scott Pool, Eliane Reyes, Antonio Eduardo Santos, Jean-Claude Vanden Eynden, Ronald Van Spaendonck, and Rhonny Ventat, among many others.
At our core, we are driven by an unwavering passion for music. Our mission is not only to publish exceptional works but to foster meaningful encounters between music and its audience—sharing the profound joy of artistic creation with the world.
