Sonata for Bassoon

Dedicated to the North American bassoonist Scott Pool, the Sonata for Bassoon and piano is structured in three movements.

The first movement gradually constructs a motif of distinctly rhythmic character, giving rise to an energetic and dynamic dialogue between bassoon and piano. This interplay intensifies until a more expressive central section emerges, characterised by a series of abrupt modulations that lend the music a sense of fluid unpredictability. Ultimately, it is the elements from the opening section that return to provide a coherent and conclusive ending.

The second movement is lyrical in essence, unfolding as a sustained, expressive exchange between the two instruments. Here, too, modulations introduce sudden shifts in colour, revitalising the listening experience and maintaining a sense of emotional freshness throughout.

The final movement opens with a short, incisive rhythmic motif stated by the bassoon, which is promptly taken up and developed by the piano in both rhythmic and harmonic dimensions. A contrasting central section offers more melodic material, yet the underlying rhythmic and obsessive drive remains palpable. The sonata concludes with a brilliant and virtuosic finale, synthesising all of the preceding elements into a compelling and cohesive whole.