Labyrinthes for Flute

Labyrinthes was composed in response to a commission from the flute department of the Royal Conservatory of Brussels, intended for candidates preparing for their higher diploma examinations. The work is cast in two contrasting parts.

The opening section unfolds in a highly free and exploratory manner, introducing one of the central motifs in a fluid, improvisatory style. This gives way to a theme built upon rapidly repeated notes, whose energetic pulse contrasts sharply with the preceding material. The section culminates in a subtle interweaving of both motifs, creating a complex sonic tapestry that evokes the intricacies of a musical labyrinth.

The second part is rhythmically incisive and technically demanding, conjuring the illusion of a dialogue between the flute and an imagined interlocutor. This impression is achieved through rapid and extreme register shifts and the use of distinctive percussive articulations—particularly attacks that lend the instrument a sharply defined, almost vocal quality.

Two notable recordings of this work are available: one by Marcos Fregnani-Martins on the album Belgian Chamber Music (Harp&Co 5050-28), and another by Denis-Pierre Gustin on the Cyprès label (CYP 4602).