Symphony No. 2 [conductor’s score]

Symphony No. 2, composed in 2016 and entirely revised and re-orchestrated for its première in 2024, differs from the composer’s other symphonic works in that it was not the result of a commission. Rather, it emerged from Michel Lysight’s personal desire to return to orchestral writing and to explore once again the expressive possibilities of large-scale forms.

The work is structured in four movements, each of which showcases key aspects of the composer’s mature style: evolving repetitive textures, highly developed counterpoint, sophisticated orchestration in which the percussion section plays an integral role, as well as sudden modulations, unexpected harmonic shifts, and an often relentless rhythmic drive.

I. Allegro drammatico

The opening movement is marked by its dramatic character from the outset, beginning with an ascending scale played by the lower instruments. This leads to a highly expressive theme spanning three bars, each of which may be superimposed upon the others. A vast orchestral crescendo ensues, propelling the listener into a rhythmically charged central section where various motifs are developed and transformed. The opening material then returns but is treated with fresh orchestration, leading to a resolute conclusion.

II. Andante cantabile

The second movement introduces a lyrical and expressive theme, which undergoes a series of richly varied transformations. This is followed by a more animated section, in which multiple themes are layered, forming a complex polyphonic and polyrhythmic texture. Unexpectedly, the initial theme reappears, now doubled in speed, propelling the movement to a concise and striking close.

III. Passacaglia

The third movement adopts the form of a passacaglia: over a persistent and implacable bass, three principal themes are introduced—each capable of being combined with the others contrapuntally. These materials are gradually woven together, building towards an immense orchestral climax, both majestic and inexorable.

IV. Vivo – Finale

The finale is based on an asymmetrical metre (7/8) and possesses a strongly dance-like, obsessive quality. A sequence of contrasting episodes follows, yet the rhythmic energy remains unwavering throughout, culminating in an exuberant and brilliant coda, closing the symphony on a note of celebratory vigour.